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“La Belle Noiseuse” (Jacques Rivette, 1991) Jacques Rivette’s four-hour masterpiece about the act of artistic development turns the male gaze back on itself. True, it’s hard to think of the actress who’s needed to be naked onscreen to get a longer period of time in one movie than Emmanuelle Beart is in this one.

Wisely realizing that, despite the centuries between them, Jane Austen similarly held great respect for “women’s lives” and managed to craft stories about them that were silly, frothy, funny, and very relatable.

This clever and hilarious coming of age film stars Beanie Feldstein and Kaitlyn Dever as two teenage best friends who plan to go to at least one last party now that high school is over. Dever's character has one of many realest young lesbian stories you'll see within a movie.

It doesn’t get more romantic than first love in picturesque Lombardo, Italy. Throw within an Oscar-nominated Timothée Chalamet for a gay teenager falling hard for Armie Hammer’s doctoral student, a dalliance with forbidden fruit and in a major supporting role, a peach, and you’ve obtained amore

Back in 1992, however, Herzog had less cozy associations. His sparsely narrated 50-minute documentary “Lessons Of Darkness” was defined by a steely detachment to its subject matter, far removed from the warm indifference that would characterize his later non-fiction work. The film cast its lens over the destroyed oil fields of post-Gulf War Kuwait, a stretch of desert hellish enough even before Herzog brought his grim cynicism to the catastrophe. Even when his subjects — several of whom have been literally struck dumb by trauma — evoke God, Herzog cuts to such huge nightmare landscapes that it makes their prayers seem like they are being answered via the Devil instead.

Figuratively (and almost literally) the ultimate movie of your 20th Century, “Fight Club” may be the story of the average white American guy so alienated from his id that he becomes his individual

The second of three lower-finances 16mm films that Olivier Assayas would make between 1994 and 1997, “Irma Vep” wrestles with the inexorable presentness of cinema’s previous in order to help divine its future; it’s a lithe and unassuming piece of meta-fiction that goes every one of the way back into the silent era in order to arrive at something that feels completely new — or that at least reminds audiences of how thrilling that discovery free gay porn could be.

Skip Ryan Murphy’s 2020 remake for Netflix and go straight towards the original from fifty first time anal years before. The first film adaptation of Mart Crowley’s 1968 Off-Broadway play is notable for being among the first American movies to revolve entirely around gay characters.

Probably you love it for that message — the film became a feminist touchstone, showing two lawless women who fight back against abuse and find freedom in the process.

Emir Kusturica’s characteristic exuberance and frenetic pacing — which typically feels like Fellini on Adderall, accompanied by a raucous Balkan brass band — reached a fever pitch in his tragicomic masterpiece “Underground,” with that raucous Power spilling across the tortured spirit of his beloved Yugoslavia as the country experienced through an extended period of disintegration.

Adapted from the László Krasznahorkai novel with the same name and maintaining the book’s dance-motivated chronology, Béla Tarr’s seven-hour “Sátántangó” tells a Möbius strip-like story about the collapse of the farming collective in post-communist Hungary, news of which inspires a mystical charismatic vulture of a man named Irimiás — played by composer Mihály Vig — to “return from the useless” and prey about the desolation he finds One of the desperate and easily manipulated townsfolk.

You might love it to the whip-smart screenplay, which gained Callie Khouri an Academy Award. Or even for the chemistry between its two leads, because Susan Sarandon and Geena Davis couldn’t have been better cast as Louise, a jaded waitress and her friend Thelma, a naive housewife, whose worlds are sexy women turned upside mia khalifa porn down during a weekend girls’ trip when Louise fatally shoots a man trying to rape Thelma outside a dance hall.

is actually a look into the lives of gay Guys in 1960's New York. Featuring a cast of all openly gay actors, this is usually a must see for anyone interested in gay history.

is often a blockbuster, an original outing that also lovingly gathers together a variety of string and still feels wholly itself at the tip. In some ways, what that Wachowskis first made (and then attempted to make again in three subsequent sequels, including a recent reimagining that only Lana participated in making) at the top the ten years best porn videos was a last gasp of your kind of righteous creative imagination that experienced made the ’90s so special.